2019

Here’s What Industry Insiders Say About Voiceover

There are many types of voiceover jobs. The interesting fact is different projects will require a different voice, different skills or different levels of experience. When choosing a voiceover artist many factors come into play.

  • “The skill of a voiceover artist is so singular that even established actors can struggle!” – Joanna Ruiz.

Curious about direction? - Below are some very honest words from leading pioneers in the voiceover industry.

Forever Young!

“I was always talking in weird voices from the time I was two. I guess I just found a way to keep doing it! I did get a degree in theater and took some voice-over classes… but most of it is just the same stuff I was doing as a kid!”

  • Grey DeLisle.

Stretch Your Muscles!

“One of the things that I’m realising is that in voice-over work, you have to actually do more work with your facial muscles and your mouth. You have to kind of exaggerate your pronunciation a little bit more, whereas with live action, you can get away with mumbling sometimes.

  • Mark Valley.

Get Ridiculous!

“I would love to be doing more voice-over work. It’s such a fun and free playground to take risks, play around, and get sort of ridiculous.”

  • Ari Graynor.

"You Talkin To Me?”

“Taxi Driver’ is one of those films that is groundbreaking in how much you’re inside this character’s head. It uses voice-over in a revolutionary way where the audience is invited as a co-conspirator to the whole story line.”

  • Sam Esmail.

Have Fun!

“I know now that I want to do more voice-over projects. They really have the ability to transport you into the world of whatever movie it is you are working on.”

  • Bridget Mendler.

Get in on the Action!

“I just want to get into the action. And voice-over work is all action.”

  • T-Pain.

Freedom!

“The beauty of voice-over work is that maybe you come in and record once every two weeks for a couple of hours and do a couple episodes a session. It’s awesome! You spend an afternoon playing in the booth, and there you have it. It doesn’t interfere with much.”

  • Emmanuelle Chriqui.

Off the Page!

“A lot of people reckon they can do a funny voice, but it’s not enough – you have to bring the script off the page for an audience who can’t see you.”

  • Joanna Ruiz.

An Inner Quality!

“Definitely in voice-over, you have to be completely uninhibited. More than that, you have to put yourself back into the enjoyment of pretending.”

  • Molly Quinn.

To Conclude.

Trying to make it on your own in the voiceover industry is hard. We have found gaining perspectives from like-minded others to be invaluable when exploring the many-faceted aspects of this incredibly diverse industry. We’re all very intriguing people – Never be afraid to pick someone’s brains!

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